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At Home In Utopia

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They wanted to change the American dream. In the mid-1920s, thousands of immigrant Jewish garment workers managed to catapult themselves out of urban slums and ghettos by pooling their resources and building four cooperatively owned and run apartment complexes in the Bronx. They believed that owning one's home went a long way toward controlling one's fate. At Home in Utopia focuses on the United Workers Cooperative Colony, aka the Coops, the most grass-roots and member-driven of the Jewish labor housing cooperatives, where many of the residents were Communists. Almost as soon as they moved in to their new buildings, they were hit by the Great Depression.

The garment industry was hit hard; they were unemployed; and they could no longer pay their mortgage. They believed they were watching the death of capitalism. And in its death throes, they saw opportunity: they would change America. In the 1930s, while they were demonstrating against mortgage foreclosures and for unemployment insurance, they opted to racially integrate their own cooperative house. An epic tale of the struggle for equity and justice over two generations, the film tracks the rise and fall of one community from the 1920s into the 1950s, paying close attention to the passions that bound them together and those that tore them apart. Along the way, At Home in Utopia bears witness to lives lived with courage across the barriers of race, language, and sometimes even common sense. History may not repeat itself, but given the current economic crisis and the recent presidential election, the story of the Coops has powerful echoes today.
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License Period:  5 years
Running Time:  56:52
Close Captioned:  Yes
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Running Time:  56:52
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Running Time:  56:52
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Michal Goldman Michal Goldman is an Academy-award-winning filmmaker. She has always been especially interested in the relationship between people's ideas and the life-choices they actually make. Michal saw the story of the Allerton Coops as a chance to make a film about the way a militant community of factory workers tried to live its ideals during and after the Great Depression. The fact that these immigrants, most of whom barely spoke English, decided in the 1930s to racially integrate their cooperative, captured her imagination. The film took years to complete, and by the time At Home in Utopia was done, the present had caught up with the past; America was in the midst of its own economic meltdown, and we had elected our first African-American president. Michal herself began to learn the craft of documentary filmmaking in the 1960s as an apprentice editor to the Maysles brothers, and then as an assistant to Ed Pincus and David Newman, who were editing Black Natchez, a documentary about Civil Rights organizing in Natchez, Mississippi. She spent a long time working on other people's films - including The Exorcist, Caged Heat, and Death Race 2000 - before starting to produce her own work. In addition to At Home in Utopia , her films are A Jumpin' Night in the Garden of Eden, the first film to document the klezmer revival, Umm Kullthum, A Voice like Egypt, about music and anti-colonialism in the Middle East, and Epiphany in Progress, documenting the first year of a new faith-based inner city school. Michal Goldman is available to present and discuss her work.

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