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Uncommon Ground

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The documentary Uncommon Ground is a film about the process of discovery and understanding that young people experience as they come of age and embrace the world they live in. Five multiethnic Los Angeles high school seniors travel to South Africa to meet and live with five South African students in a black township.

The film focuses on the day-to-day activities of this diverse group of young people, as they share their experiences with family, school, violence, racism, and oppression. The result is a dynamic exploration of the process of crosscultural exchange and personal identity. The film begins in Los Angeles, where the filmmaker, an anglo-American woman, meets the youth at an anti-apartheid rally on Martin Luther King Day, and questions the significance of the South African struggle to young people in America, including herself.

Why is such a remote liberation struggle such a highly charged issue in the US? for all races? We meet the students briefly, and learn about their identification with apartheid, and their initial feelings about what they expect to encounter on the trip. Once in South Africa, the students are introduced to their South African student hosts and their families. Immediately, they are thrust into a whirlwind of activity: visits to black, "colored" and white schools, community and political groups.

Each American student, in collaboration with their South African friends, creates a short, video diary on some aspect of their experience there, which are woven into the film. Written journal entries of the students are used as commentary on the events as they happen. For example, one Latino student video profiles a homeless youth sheltar. An African American youth videotapes and grapples with the meaning of a Xhosa male circumcision ceremony. The filmmaker, too, undergoes a personal transformation while walking through the white South African part of town, and confronting her own identity. The film ends in Los Angeles, under the burning backdrop of the 1992 civil unrest.

Each student, one year after returning from South Africa reflects on his/her experience, and what impact the trip has had on their lives and future goals. Uncommon Ground is not about overt political expose. It is about youth awareness and concern, tapping into the personal, day-to-day lives of people living under oppressive, yet rapidly shifting conditions. The film carves a clear space for young people, often overlooked in the broader societal debates of multiculturalism and global relations. Uncommon Ground asks one basic question: From Soweto to South Central L.A., what is it that young people are seeing and experiencing, and how can their concerns be addressed in the media and society at large?
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License Period:  5 years
Running Time:  56:54
Video Encoding:  Medium to High Resolution


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License Period:  14 days (beginning at time of purchase)
Running Time:  56:54
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License Period:  21 days (beginning at time of purchase)
Running Time:  56:54
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Festvials

American Film Institute (A.F.I.) International Film Festival
Los Angeles National Educational Film and Video Festival
Oakland Chicago International Film Festival--Children's Section 
Columbus Film Festival--Honorable Mention 
Atlanta Film Festiva
Emerging Vision Award Mill Valley Film Festival, San Francisco
International Documentary Association David Wolper Award and Screening, L.A. 
San Jose Film Festival and JOEY Award 
Austin SXSW Film and Music Festival--Finalist 
USA Film Festival Finalist, Dallas 
Rivertown Film Festival--Best Documentary
Cork International Film Festival, Ireland
One World Film Festival, Alberta, Canada
FESPACO Pan African Film and Video Festival, Ouagadougou, Burkina Faso
Melbourne International Film Festival

Other Screenings:
UCLA School of Theater, Film and Television, Student Award Screenings
Bread for the World Southern Africa Educational Tour First A.M.E. Church
Anti-Apartheid Rally Black Film Festival International (tour of Berlin, London, Atlanta, New York)
Black History Month Special Screenings--various groups and schools
Amie Williams  Amie is an accomplished documentary film producer/director. Specializing in film and video for labor unions and related community organizations, Amie has more recently forayed into screenwriting, developing stories from her documentary background into narrative feature films. Past films include No Sweat, (2006) about bad-boy clothing manufacturer American Apparel, which recently premiered at the AFI Film Festival and was broadcast on KQED and Current TV; Fallon, NV: Deadly Oasis (2004) about a childhood leukemia cluster, an-ITVS funded film broadcast on PBS; Stripped and Teased: Tales from Las Vegas Women (2001), broadcast on Canadian television; One Day Longer: The Story of the Fronteir Strike (2002); and Uncommon Ground: From Los Angeles to South Africa (1994). These films have won numerous awards, including the International Documentary Award, a National Endowment for the Arts Media Grant, the SONY/Streisand Award for emerging female filmmakers, the John D. and Catherine T. MacArthur Foundation Peace Grant, Pioneer Fund, Paul Robeson Fund and the A.F.I. Independent Film and Videomakers Award. She also received a National Arts Council grant to teach in Japan and Singapore, and to show her work. Amie also directs political television ads for such clients as the AFL-CIO, California Nurses’ Association, and numerous candidates, including Los Angeles Mayor Antonio Villaraigosa, Lt. Governor of CA, Cruz Bustamante, State Controller John Chiang, etc, working for political consultant Parke Skelton of SG&A Campaigns. She has served as a mentor for the Independent Feature Project, and taught many video workshops to underprivileged youth. Prior to her film career, she lived and worked in Kenya as a teacher and health-communications consultant for non-profit organizations, and continues to sponsor a street theater group of homeless AIDS orphans in Nairobi. Raised on a farm in Wisconsin, influenced by a stubborn Irish grandmother who made a killer pastie pie, her film company Bal-Maiden Films is named after her Cornish and Irish ancestors, women who worked in the mines. Amie graduated from Yale University (B.A., English and Theater, 1985); and U.C.L.A (MFA, Film, 1992).

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